In previous posts, and in the chapter on Clissett and the Arts and Crafts Movement, I’ve identified several paintings that include Clissett ladderback chairs as an important part of the composition. Here we have another, this time by William Ratcliffe (1870-1955). It’s up for auction next month (October 2020) at Lyon & Turnbull in Edinburgh, and much of what follows comes from their description of the painting.

Ratcliffe studied wallpaper design in Manchester under Walter Crane. The family moved house, in 1906, from Manchester to Letchworth, the new Garden City with many Arts & Crafts influences, and where we know that many houses were furnished with Clissett’s chairs. A couple of years later, the artist Harold Gilman also moved to Letchworth and became a neighbour of the Ratcliffe family. Under Gilman’s influence, Ratcliffe gave up wallpaper design and took up painting. He was introduced to the Campden Town Group by Gilman, and showed paintings in all three of the group’s exhibitions.

This particular painting is thought to depict the home of Stanley and Signe Parker at 102 Wilbury Road, Letchworth. Several photographs of the interior of this house exist, and they show several Clissett ladderbacks. It certainly seems likely that this is the suggested location, especially as Ratcliffe knew the Parkers, and is known to have visited them.

It’s worth noting that Gilman also painted a room containing a Clissett ladderback. In that instance, the chair almost certainly belonged to Gilman himself.

The Clissett ladderback chair, designed by James MacLaren, was an important element of the Arts & Crafts Movement in the late 19th century. It has figured prominently in recent publications about the period. Usually, the accompanying text is short on detail and sources, so I've been keen to create a clearer picture of how Clissett's chairs were seen at the time. Some things are obvious, such as the superb collection of Clissett's chairs at the Art Workers Guild in London - that's one of their chairs on the left. But there's a lot more information if you look for it.

So, at long last, I've more or less completed the work on Clissett and the Arts and Crafts Movement. The aim has been to test some of the statements made in the past about Clissett, and to find and publish evidence of his chairs in use in the early days of their popularity. It's possible to show the famous ladderback being used by well known artists and architects. The real surprise has been the extent of their use by the Garden City architects, and the extent to which the chairs were copied, or at least used as the basis for "new" designs. I wrote some time ago about their possible use by Charles Rennie Mackintosh, and that text has been taken down and incorporated (in shortened form) in the new piece.

This new section of Philip Clissett's biography can be found on the biography page as Part 4.